Stephen Mirrione didn’t cut the racing sequences in F1: The Movie the way he’d cut a dialogue scene. He couldn’t: The actors weren’t in the footage yet.
In stitching together Marty Supreme, editors and co-writers Ronald Bronstein and Josh Safdie not only found the beats of the movie, but they were able to structure it in a way narratively that didn’t ...
One Battle After Another is so layered that even cinematographer Michael Bauman is still discovering new gems, long after ...
The El Dorado Film Festival recognized the twisty mockumentary American Comic, the mother-daughter comedy-drama Honeyjoon and ...
Sustainable gaming improvement requires deliberate practice, not grinding volume. Most players waste months playing 12+ hours ...
Sentimental Value editor Olivier Bugge Coutté doesn’t usually fall in love with screenplays. In fact, he tries not to read scripts until the last minute, ...
Oscar-nominated Bugonia composer Jerskin Fendrix on the very unconventional process of scoring the Yorgos Lanthimos film.
If you saw the Southern Made Shorts block at the El Dorado Film Festival Saturday, you saw Capchtas cause an existential ...
Frankenstein composer Alexandre Desplat knows one of his scores is working when it makes Guillermo del Toro cry.
Joe Kwaczala is a Los Angeles-based comedian and the writer-star of the mockumentary American Comic, which follows two stand-ups, both played by Kwaczala, as they navigate the modern comedy world.
What happens when a former Texas cop with a stunning record of drug arrests starts helping people fight the law? The grim answer lies in Never Get Busted, an addictive new documentary about cop-turned ...
At the El Dorado Film Festival, some Arkansas filmmakers share the happy accidents that made their short films better.
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