One Battle After Another is so layered that even cinematographer Michael Bauman is still discovering new gems, long after ...
The El Dorado Film Festival recognized the twisty mockumentary American Comic, the mother-daughter comedy-drama Honeyjoon and ...
Sustainable gaming improvement requires deliberate practice, not grinding volume. Most players waste months playing 12+ hours ...
Stephen Mirrione didn’t cut the racing sequences in F1: The Movie the way he’d cut a dialogue scene. He couldn’t: The actors weren’t in the footage yet.
In stitching together Marty Supreme, editors and co-writers Ronald Bronstein and Josh Safdie not only found the beats of the movie, but they were able to structure it in a way narratively that didn’t ...
When Ruth E. Carter first read Ryan Coogler’s script for Sinners, the images came fully formed. The Oscar-winning costume ...
If you saw the Southern Made Shorts block at the El Dorado Film Festival Saturday, you saw Capchtas cause an existential ...
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Oscar-nominated Bugonia composer Jerskin Fendrix on the very unconventional process of scoring the Yorgos Lanthimos film.
Sentimental Value editor Olivier Bugge Coutté doesn’t usually fall in love with screenplays. In fact, he tries not to read scripts until the last minute, ...
In Hamnet, costume designer Malgosia Turzanska didn’t treat the clothing as finished costumes. Instead, she built garments ...
Train Dreams cinematographer Adolpho Veloso on turning obstacles into opportunities and shooting trees like people.
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