Max L. Feldman on “TIHANYI 140,” at the National Gallery of Hungary, Budapest.

On “The Day is Gone: 100 Years of New Objectivity,” at the Tel Aviv Museum of Art.

The first work was Ein Heldenleben, “A Hero’s Life,” by Richard Strauss. Who’s the hero of that one? Why, the composer ...

Paul du Quenoy on a revival of “Boris Godunov,” at the Royal Opera.

On September 30, a federal district court judge in Boston upheld Harvard’s use of racial preferences in undergraduate admissions against the challenge that they discriminate against Asian-Americans.

The Ligeti was his Étude No. 4, “Fanfares,” from 1985. It was light and limpid, and flavored with jazz. The Liszt was the Rhapsodie espagnole, from 1858. It is jaw-droppingly difficult. And Mr. Liu ...

Natasha Sumner does not answer that question in her latest book, Heroes of the Gale: A History of Fionn and the Fianna .She ...

I have said to myself during the last fortnight that if I were a Scotchman I too should be conceited, and that I should especially avail myself of this privilege if I were a native of Edinburgh.

In the first half of the twentieth century, Longhi (1890–1970) almost singlehandedly reestablished Caravaggio’s reputation ...