Toronto-based writer Dylan Adamson delves into the mysterious backstory of The Napa Boys, the latest from comedians Nick ...

The BAFTAs were rife with scandals and upsets, but as Oscar voting come to a close, will the PGA and Actors Awards provide ...

Caleb Hammond reviews the new Nikon ZR, which shoots RED RAW footage at the “enviable price point of only $2,199.” ...

Olive Nwosu discusses working with sex workers, intimacy coordinators and a fickle gated community while making her Lagos-set ...

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Click here to read Scott Macaulay's last issue, featuring Oliver Laxe and Gaspar Noé discussing Sirat, a special section ...

I have never seen the problem with fetishizing objects and fetishizing people as though they were objects,” director Amanda Kramer tells me in a conversation ahead of the release of her latest ...

Nick Kouhi profiles Iranian filmmaker Amir Naderi, touching on his current efforts as a lecturer, his initial foray into filmmaking and much more.

At the 2026 Berlinale, the festival’s insistence on separating art from politics wasn’t reflected in the lineup—least of all in its Forum documentary section.

Tyler Coates digs into why we should “respect the predictive power of the Independent Spirit Awards” this Oscar season.

Independent film’s history is entwined with the history of distribution. Throughout the 1960s, ’70s and into the ’80s and ’90s, new voices arose alongside distribution ventures that enabled them to ...

When Padraic McKinley first received The Weight screenplay from producers Nathan and Simon Fields, he loved the atmospheric world it summoned forth. Original screenwriter Matthew Booi, along with Leo ...