For tonight's program in Los Angeles, organized in partnership with LACMA Digital Leaders and Ark/8, I sought to gather up ...

Jeannie Vu and Katherine Frazer have been elected to Rhizome’s Board of Directors, strengthening the organization as it enters its fourth decade.

From Bengaluru, Rhizome will travel to Mumbai for Slingshot Festival’s inaugural India edition. As part of the festival, Rhizome has partnered with Anthropic to commission Resona, an immersive, ...

Martine Syms, film still produced for the cover of Most Days (2014). LP. Mixed Media Recordings, Brooklyn. The undersigned, being alternately pissed off and bored, need a means of speculation and ...

This essay was originally published November 2022 as a chapter in the book Documentation as Art, edited by Annet Dekker and Gabriella Giannachi. In the preservation of digital art, documentation is ...

Installation view, “Camera Rider” at Team Gallery, New York, 2019. Courtesy of Team Gallery. The latest in a series of interviews with artists who have a significant body of work that makes use of or ...

Courtesy grouphab.it and Harm van den Dorpel. An extended and altered version of this text will be published in... You Are Here: Looking at After the Internet (Cornerhouse Books 2014), edited by Omar ...

This is the first post in a series on the queer history of computing, as traced through the lives of five foundational figures. It is both an attempt to make visible those parts of a history that are ...

We're doing this to commit long-term to web archiving as a cultural practice, and to differentiate this online service from the core software components. Conifer will continue as a Rhizome service, ...

GIF extract form Hito Steyerl, How Not To Be Seen. A Fucking Didactic Educational .MOV File, 2013. HD video file, single screen, 14min. How Not to be Seen: A Fucking Didactic Educational .MOV File is ...

If I might extrapolate from what Simon calls these 'comments on half-erased or never-quite-attained songform': perhaps Ariel Pink's appeal is that his sound musters the sonic equivalent of the 'corner ...

As Slavoj Žižek and others have argued, the credit sequences designed by Saul Bass for Alfred Hitchcock's unofficial trilogy of late masterpieces—Vertigo (1958), North by Northwest (1959) and Psycho ...