I do like a bit of conceptual music/art. I do like some spaces between the notes. And I do like a bit of free jazz. But ...

Through its ongoing collaboration with BBE Music and the custodians of the Strata Records legacy, 180 Proof Records owner DJ Amir once again digs deep into the archives of Detroit’s most mythologised ...

Mystic Suite”, the stunning new release from the Atlantis Jazz Ensemble, completes a sweeping conceptual arc that began with ...

There’s real alchemy at work on MEZZO, the latest release from saxophonist Tim Garland and pianist Geoffrey Keezer. Forged ...

Since its creation as a trio in 1966, Soft Machine has pioneered psychedelic, progressive, and jazz-rock, emerging as a ...

Taupe have always thrived on volatility, but waxing | waning feels less like a collection of compositions, and more like a live wire dropped into a steelworks. The Glasgow trio return on Minority ...

Longineau Parsons’ little-known record receives a much-welcome reissue via the California-based specialist label Luv N’Haight ...

If ever a trio embodied the exploratory yet distinctly British spirit of contemporary jazz, it is Shapeshifter. The eponymous group brings together three of the UK’s most imaginative and responsive ...

In 1971, while electric jazz was reshaping the landscape in New York and London, a quietly daring chapter was unfolding in Buenos Aires. Quinteplus is not a derivative footnote; it is evidence that ...

There’s a quiet yet striking authority to “Freedom of Art”, the second outing from Washington D.C. bassist and composer ...

The debut release from Andrew MacKelvie’s Many Worlds ensemble appropriately finds its home on the Canadian label, Watch That Ends The Night Records. Themselves a comparatively young label, Watch That ...

There is something profoundly moving about hearing lost music return to the light. “Quintessence”, the newly issued collaboration between John Taylor and Stan Sulzmann, is exactly that kind of ...