Premiering at the Sundance Film Festival a few months ago, Primer writer-director Shane Carruth delivered another divisive work of science-fiction with the mesmerizing Upstream Color. Having recently ...

Matt Goldberg has been an editor with Collider since 2007. As the site's Chief Film Critic, he has authored hundreds of reviews and covered major film festivals including the Toronto International ...

Forgiving critics and moviegoers often call films without articulate points or well-defined characters “poems.” This usually affixes to work by Terrence Malick and will surely be a tag for the ...

Filmmaker Shane Carruth’s micro-budget breakthrough “Primer” was a dense, realistic time travel drama of the sort nobody had seen before. Judging by his long-awaited second feature, “Upstream Color,” ...

Shane Carruth‘s 2004 time travel drama “Primer” provoked endless scrutiny for its heavy reliance on tech speak that the director refused to dumb down. His long-awaited followup, “Upstream Color,” also ...

Shane Carruth made his name in the independent film world in 2004 with his debut, “Primer,” a sci-fi, time-travel thriller that he wrote, directed, produced, edited, scored and starred in for a paltry ...

In 2004, Shane Carruth wowed Sundance Film Festival audiences with his heady time travel flick Primer, which he made with no prior filmmaking experience and shot (on film!) for a budget of around ...

Shane Carruth made his name in the independent film world in 2004 with his debut, “Primer,” a sci-fi, time-travel thriller that he wrote, directed, produced, edited, scored and starred in for a paltry ...

erbp Film's "UPSTREAM COLOR" to Be Released Through Cinedigm on Cable VOD, Digital, and DVD/Blu-ray on May 7th "Filming with an unflinching biomorphic intimacy, as if looking at the body, inside and ...

As mystifying as his 2004 sci-fier, "Primer," albeit for entirely different reasons, Shane Carruth's "Upstream Color" is a stimulating and hypnotic piece of experimental filmmaking. “Primer” fans and ...

Both Oblivion and Upstream Color are successful at their very different aims, even though neither does the job of great science fiction. What science fiction does best—and I mean real, ...

Matt Goldberg has been an editor with Collider since 2007. As the site's Chief Film Critic, he has authored hundreds of reviews and covered major film festivals including the Toronto International ...